Natura Morta, Jago’s new work at the Veneranda Biblioteca Ambrosiana in Milan

The exhibition, curated by Maria Teresa Benedetti and organized in collaboration with Arthemisia, stems from a deep research around the very concept of fragility.

If in Caravaggio’s painting the beauty of ripe fruit becomes a metaphor for the passing of time and the transience of life, Jago pushes this reflection further, showing what crowds our existences today: objects built to kill, mass-produced, emptied of meaning and yet terribly real.